If Rayne had any exciting, dramatic ideas about fighting the patrol squad after his move with the door — any fantasy of escaping into the endless tunnels of Eros — it’s over the instant the Earther’s fist makes contact with his face.

Their trainers emphasized one thing, over and over again: anyone who is raised on Earth is stronger than you. It doesn’t make you inferior. But they have lifted three times the weight from the moment they were born, every instant of every day, and even your training in high-gravity environments and your mandated resistance work and your centrifuge time as a child won’t make up the difference.

So the Martian fighting style is all about avoiding contact from the enemy. About using angular momentum to increase the force of your hits, and decrease the force of theirs. Weapons with longer reach, and curves. And, eventually, the peak of Martian engineering, the weapon that could reform as you wielded it.

The weapon that’s buried in the wall, very very far out of reach, and currently useless to Rayne.

He has no time to dodge or make the hit a glancing blow. He just sees a flicker of moment and then he’s on the floor, straining for breath, a throb of pain spreading from cheekbone to nose. No memory of the hit itself or of the fall to the ground. Reflex has him reaching out to push himself up —

“Don’t fucking move!”

And Rayne freezes. Goes limp and still, hands out, compliant. He is surrounded by soldiers who are stronger than him, who have weapons trained on him, and he’s pretty sure he just got a minor concussion. There’s no point in fighting.

“I surrender!” He says it as clearly as he can. Has to spit it, a little, because his nose has started running blood. Then there are hands on him, twisting his arms behind his back, tightening a ligature of some kind around his wrists.

It’s not the time to fight anymore. It’s the time to survive.



Their team apparently splits up, most of them breaking off to search for the remaining Martians in the tunnels. Rayne is held at gunpoint, ordered to freeze and stay still, and shoved onto his stomach as the blood from his nose pools on the ground. Radios go off. Orders are issued.

The few that have Rayne at gunpoint are joined by others, different uniforms, dark blue instead of dark green. Rayne tentatively identifies them as military police. Probably, he thinks, because the military police are the only ones with actual facilities to deal with people who are captured or imprisoned. He can’t imagine anyone expected to find a Martian on Eros. Certainly not one in uniform, an official combatant, under a command structure, entitled (in theory) to the full measure of rights accorded to military prisoners under the Geneva Convention.

Someone takes a fistful of his uniform at his back and hauls him to his feet, nudges him forward. “Go,” a Marine says, beside him. “Do exactly as we say and we won’t shoot you.”
“You get that?” A shove from behind him almost takes him off his feet.

“I surrender,” is all Rayne says, in return. Seems like they’re not sure he speaks English?

They hustle him past a scene of soldiers rushing back and forth, teams assembling, shouted orders. They all look so young — they’re shorter than Rayne and thicker, like they have too much baby fat. If he doesn’t miss his mark, most of them are under a quarter century. They stop to gape at him like a zoo animal, him and his dripping nose and his red uniform. He keeps his head down, and follows the nudges from his minder. Corridor to elevator to corridor. Level HH, section 4. Shuttered stores to the left and right, an emptied marketplace.

They make it to a little jail. Probably a local drunk tank, taken over by the military police when the Earthers moved on in. In an antechamber, three hold guns on him (guns, honestly; are they really going to risk a breach in here?) and two of them spread out his arms, palpate every part of the jacket, pat down his sides, his front, between his shoulder blades and at the small of his back. One takes the reed from his ear, the spare rations, the multitool, while the other even grasps his genitals through his trousers and shifts them, nudging every spare inch of space. They take everything. Boots are undone and added to the pile, and then fingers reach up his trouser cuffs and skim his calf. He keeps still, gazing ahead, trying not to startle or shift. Or betray any of the violation inherent in his body being no longer his own.

There’s a fierce debate over whether or not to actually let him keep wearing the uniform, which itself has functions that can help in situations where, say, all the air abruptly leaves a room, or things get really cold.

Eventually, the argument is resolved: apparently he gets to keep the jacket, or it’s just too much trouble to remove with the current restraint situation.

He’s taken to a cell — a lockup, with a metal low-grav toilet and a concrete shelf for a bunk, without padding. And he is shoved down, very particularly, onto the floor, against the wall. His shoulders are wrenched, and his hands are now only distantly throbbing, which doesn’t bode well. The blood from his nose has dripped down onto his uniform, probably smearing all over his face.

One of them shoulders into the cell with a full set of cuffs. Gets them on Rayne’s wrists, and attached to a metal loop protruding from the wall close to the floor, near Rayne’s lower back. Then he snaps off the… zip tie? Whatever had been holding Rayne’s wrists together.

He doesn’t make a sound, biting down on the inside of his lip as the blood rushes back into his hands. Don’t fight, don’t fight, don’t fight. He compliantly curls himself into a ball, taking up as little space as possible.

Ankles weighted down too, with shackles. How dangerous do they think he is?

“Let the Colonel know he’s secured.”

“Sir!” And the shuffling sound of soldiers moving aside, saluting.

Rayne looks up.

The man who steps inside is younger than Rayne expects, but perhaps older than Rayne himself. Lighter-skinned than most Martians, and with rare, honey-blond hair, cropped in short curls. Army uniform, not Navy — dark green, two rows of buttons down the front. He catches a glimpse of the double-globe on the shoulder. Colonel’s insignia? He tries to remember, but he can only think of the naval ones, simple bars.

Rayne awkwardly cants his shoulder forward, using it to wipe some of the blood off his face. A little dignity would be nice, when facing the commanding officer of the enemy forces, but, hey, apparently that’s asking a lot. Worse: moving his head makes the world swoop and tilt around him, like Eros has gone into combat maneuvers. He fights the accompanying nausea, swallowing saliva gone unpleasantly coppery. The blood has pooled at the back of his throat, not pulled down by the low Eros gravity.

The officer turns back to the MPs. “Gauze.” It’s an order — one word, and the guy’s taken command of the room completely. Rayne feels microscopic in comparison.

“Med kit,” one of the MPs says to another, “by the desk.”

“You speak English?” the probably-colonel asks, as one of the MPs goes to fetch. On Rayne’s frown, he persists: “Francais? Arbaah?” — mangling the pronunciation of the last, of course. That’s not even what Martian Arabic is called. “Call a translator,” he tells one of the other MPs.

Rayne lifts his chin in a negative gesture, remembers that Earthers don’t get that, and carefully shakes his head instead. The most minute back-and-forth motion, and somehow even a motion as small as that sort of makes the world smear before his eyes. He’s not going to play games like this; he couldn’t keep it up. He doesn’t want a translator. He wants control. “English is fine.”

“Conversational fluent?” asks the man.

“Good enough.” Of course conversationally fluent; he’s even academically fluent. His dissertation was in English. Rayne knows the way he speaks is accented, and wishes he knew exactly what it sounded like to them.

The first MP is back with the gauze. With it, the colonel approaches Rayne. Carefully but smoothly, but not like Rayne’s a rabid animal but like the colonel doesn’t want to make him feel too trapped. ‘Careful’ looks natural on him.

“Easy,” he says, apparently seeing Rayne tensing up before Rayne even felt it. “Name, rank, and identification number, soldier.”

That musical voice makes gooseflesh erupt all along Rayne’s skin. The colonel commands like it’s a reasonable inevitability, like Rayne would want to obey. Rayne’s not fond of that command-voice being turned on him, and he’s even less fond of being touched, after that search. But he has no say in the matter. One hand presses gauze to Rayne’s nose; the other cradles the back of his skull, gently maneuvering him.

He tucks away the petty impulse to bite the hand wielding the bandage. Lets himself be maneuvered, but also makes sure to hack up an aesthetically displeasing clot of blood, coughing it out of his throat like a cat with a hairball. He spits it to the side, and is rewarded with a brief look of disgust from his stupidly charismatic caretaker.

“Rayne,” he says. “Derek. Major. N190989MC.” His voice is raspy. Enemy captors are entitled to that much. If only for the sake of future prisoner exchanges.

The thought, and the implications of that thought, make his blood run abruptly frigid. Holy shit. Holy fuck, he’s been captured. He’s out of the fight unless he escapes, but he’s probably not going to escape, he’s headed for a prisoner of war camp on Earth or Luna and maybe a tiny shot at being sent back to Mars in an exchange, in how long? He’s gone from command of an elite unit to a total lack of control over his fate in an instant.

Makes him feel like he did before the war even started.

“You a marine?” asks the commander. Behind him, one of the MPs ducks out, no doubt to run the name. One disadvantage of being the guys that are rebelling: there’s all these citizenship records that Earth still has.

Rayne snorts. Winces, because of the blooming bruise across his face. Flattering, to be mistaken for a that kind of combat specialist. Was it the knife throw? Probably was the knife throw. It was pretty badass.

“Take that as a no.” A shift of his hand on Rayne’s skull, and somehow he’s directed Rayne’s gaze straight at him. Electric, and terrifying. Angilo’s eyes are a remarkable grey-blue, like Earth’s ocean, or its sky. The color of blue that shrouds infinity. Rayne’s wrists shift aimlessly against the shackles. “I’m Colonel Alessandro Angilo. Want to tell me what a Martian officer is doing on Eros?”

He’s trying to be a good captive, really, but the look he shoots Angilo is totally involuntary, and pure are-you-fucking-kidding-me. Is this interrogation? Is this supposed to make him want to open up?

“One-time offer,” says Angilo. “You surrendered. If you come clean, and work with our forces, you can have restored UN citizenship. Guaranteed place to live, on Earth. Basic living stipend.”

He says this like it’s a good offer. Like Rayne would actually want an excuse to ditch the Martian rebellion. Like Rayne never saw the ships coming down over Mars Prime. Never saw the Earthers opening fire on the crowd. Like Rayne didn’t join this of his own free will, and like Rayne doesn’t want to see it through to its bitter, bloody end.
Rayne twists his head, shaking off Angilo’s hands. Even though there’s still a trickle of blood coming from his nose. Quite sincerely, he responds, “Go fuck yourself.”
Angilo’s expression flickers, cycling through something Rayne can’t identify. It’s not the condescending disappointment he’d expected; the Colonel’s reaction is more complicated than that. It eventually settles on something like bemusement, puzzlement. And maybe a little regret, though Rayne could be imagining that.

He should regret. Angilo blew it, making his offer so fast. Not exactly a trained interrogator, is he? You’re supposed to start off with little requests, little concessions. Someone skilled enough never would have let Rayne draw that line in the sand.

“Get a medic in here,” he says to one of the MPs. To Rayne: “How dizzy are you right now? Can you name the Secretary-General?”

Rayne tries for a smile and ends up somewhere closer to baring his teeth. “The Prime Councilor,” he says, “is Tegg Ritchie.”

“Traitor,” snarls one of the soldiers, surging forward. Someone young, new to fighting, because he too-easily lets his fellows block the way, back him down. Rayne doesn’t even afford the speaker a glance. Whoever he is, he doesn’t matter. Angilo is in charge. Angilo matters.

Angilo doesn’t speak. He’s busy returning Rayne’s examination in full measure. An unnamed, tense emotion thrashes in the pit of Rayne’s stomach. It’s Rayne who breaks the gaze first.

“I’m Martian,” he tosses at the soldier who spoke.

“You’re human,” snaps the man back. “Humans are from Earth.”

He has a point. Human lungs can’t breathe the bitter, caustic emptiness in Mars’s atmosphere. Human bodies are soft, and full of water, and Earth is soft, and full of water. To people who grew up on Earth, Mars’ rebellion must seem a particularly vicious, violent way of cutting the umbilical cord.

No, umbilical cord isn’t the right metaphor. It’s what a Martian would say, because umbilical cords are meant to be cut; Martians might respect the origin-place of humanity, but they don’t want to be tied to it forever. What would an Earther say? Severing a vein, maybe. A limb. Earthers can’t imagine being parted from their precious blue-and-brown marble. Rayne might be made of the same water and salt brimming in Earth’s oceans, but his bones are iron and frozen dust. Pink-grey sunsets. Bleak, endless deserts, swallowing the unwary. Mars is sharp and dangerous, hostile and blooming with human color in all the wrong ways. Precious, fleeting, wrong ways.

Rayne can’t find a comeback. He wants to say something pointless and insulting, like: if you’re human, I don’t want to be. Something to cut them to the quick, something witty. But he can’t grasp for anything clever enough, and why is he antagonizing the people with all the guns? He needs to shut up, is what he needs. And hope they don’t leave him here when the algae goes off.

He burns with the urge to speak, but he silences himself.

Angilo watches him, another moment, then glances to the other soldiers. “ETA on the medic?”

Blood from Rayne’s nose slips ticklish down over his lips. Angilo’s eyes track the renewed bleeding, and Rayne resists the urge to swipe the blood away with his tongue.
Angilo releases a breath. He crouches in front of Rayne, and brushes the already-stained gauze over Rayne’s lips, dabbing the blood away. Rayne flinches, and then allows it, half turned away, tense as a wild animal. He tries to breathe in, through his nose, but it’s mostly blocked. Swelling, he thinks. Feels tight and painful and it throbs with his heartbeat.

Angilo is close enough that Rayne can see subtle lines at his eyes. Smile lines, not frown. Angilo’s real smile must be something lovely, Rayne thinks.

This is not something he wants to know about his enemy.

The medic rescues him. An Earth-military medic, not Red Cross, but Rayne will take what he can get. She shows no surprise at the fact that a fully uniformed Martian is chained in a drunk tank in front of her, asks no questions of Angilo or the other soldiers, just sets her kit down and kneels by Rayne, brushing Angilo aside.

“What do we have here.” This is not a question; it is a warning. She takes hold of Rayne’s head with impersonal and experienced hands, notes the angle of his nose. Makes him uncurl, briskly.

Rayne abruptly remembers wolves and jungle cats and how they show their bellies and throats. Which looks more like a surrender to an Earther? Tight in a ball, or open and exposed? For a Martian, the answer is easy: whichever makes you smaller.

“Broken,” she says. He looks sharp at her until he understands she means the nose. There’s a light shining in his eyes, and then something stuck in his ear. “Concussion. Slight; you’ll feel better soon.”

Oh, great, what a comfort.

Then she takes hold of his nose, and Rayne tenses in alarm. “On the count of three.” This is also a warning. “One,” and then she pops his nose back into place with a wrench that he feels from his forehead to the base of his skull.

He makes no noise, again. Maybe he should be proud of this: the stoic, arrogant Martian, in the crowd of captors. But, promptly ruining any dignity he might have gained from his toughness, he turns to the side and retches, swallowing against the heave in his throat, holding back the limited contents of his stomach. He does not vomit. He comes pretty close, but he does not vomit.

“Mother,” says Rayne, carefully, in English, ”fucker.”

Her expression doesn’t change, but Rayne feels, somehow, as though she approves of his reaction.

But she does feel all over his skull, and then, inevitably, her fingers brush just pass his hairline on the back of his neck. “The hell?” she murmurs, and shifts up to look.
And there it is. A purely Martian invention, the very simple interface that allows Rayne to connect with the khilik that he wields. He has some fuzzy idea that it was also used to help put his brain into a receptive hypnotic state when he was going through basic training.

Angilo’s caught a glimpse now.

“What is that?” Says someone, from behind him.

The way they stare, Rayne thinks, now doesn’t look so much like soldiers confronting an enemy combatant. More like Rayne is a victim.

Muselist

Nov. 5th, 2017 08:27 am
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Aboveground, the city shines. Giant screens flash and swirl; spotlights pulse for rooftop parties. There isn't a moment of darkness in the City of Light. Below, there's a different story.

THE CITY
The City (never called anything else, by its denizens) is a technological haven. Its business is the exchange of data, money, material - commerce at the speed of light.

The physical landscape of the city is ever-changing. Buildings regularly shift color, shape, and size with the help of microscopic construction nanites. Places are destroyed and remade in a matter of days. Leave it for a month, and the skyline might be almost unrecognizable. Every designer wants their building to be the most stylish, the most beautiful, and the result is a riot of conflicting styles, with the only real commonalities being the beautiful archways that host the rails most of the citizenry use for transportation.

The Net is something else, besides. The virtual capacity of this city is limitless, evolving ever past the demand for information storage and bandwidth. Nearly every citizen is surgically implanted with the latest in virtual reality technology (generally somewhere on the spine, for easy access to the nervous system) meaning that all they have to do is hook themselves to an access port to get online. And you can find anything online: virtual landscapes, text sites, libraries, simulations. It's all the Internet ever could be, and more.

The culture is overwhelmingly focused on the new and the innovative. Even people want to change with the newest inventions. The past is stored on a datacube; people want to be the future. A lot of hard labor is done by robotic servants, including growing food (in greenhouse towers) and recycling resources, so the labor that's left is what's best done by humans. Interestingly, this labor is usually translated into games; if someone wants to have beta-testers for a program, usually they'll compile the code into a game and translate the hunt for errors into something humans can do instinctively. Even being a good citizen is a game. Good deeds can reward you, and crime can involve points deducted from your total. Beyond that, the way to make points is to be a creative, making some kind of art.

Government isn't something the average citizen gives much of a thought to. If there is anyone in charge, they don't take the spotlight. (Some rumors hint that the "government" might just be one very thorough artificial intelligence. Others disagree.) Law enforcement is minimal and mostly involves the deduction of points. There is no prison, just elimination of someone's login privileges. People disappear sometimes. No one tends to worry: if someone disappears, odds are they just remade themselves and showed up somewhere else.

There's only one taboo, only one true danger, and that is magic. If you're caught studying or practicing any kind of magic, no one will ever see you again.

THE CAVERNS
Below the City, linked to it via a precarious few passages (through restaurant basements dug down too far, through crumbled holes in old utility tunnels), run the Caverns. This is where all of the surviving magic-wielders end up.

The powers among the Cavern-dwellers are of infinite variety: telepaths, plant-growers, simple magicians, deep sorcerers. There's even a sizable fraction that has no powers at all, but that just couldn't fit in with the ever-changing life aboveground. Independent thinkers, and people who prefer to live in the cold and the dark: in the real.

The landscape is dark and surreal. Glowing moss and lichen, fueled by the natural magic and the minerals in the stone, dimly lights narrow and rocky corridors. The caverns are a combination of natural and magic-made tunnels, which means that some are wandering and crumbling, some require squeezing through impossibly small holes, and some are regular and smooth. Cave-ins and minor rockslides are common, as the rock is honeycombed with passageways, and an unwary traveler could easily get trapped or slip down a new chasm.

Skittering bugs are the next step of the food chain, feeding off of the fungus. But what feeds off of the bugs lives deep in the caves, in rock pools and fast-flowing underground rivers. These alligators (nicknamed ghost gators for their pale color) are constantly hungry, swift-swimmers and swift-runners with mouths full of ever-growing grinding teeth. Their flesh is delicious, and a staple in a cave diet. But they would say the same of the humans they hunt. The youngest can be only a foot or two long; the eldest, slower but infinitely tougher, can be ten feet or even more.

The Caverns are governed by democracy. A Council of six, with overlapping terms, elected at large from anyone who comes in to vote. And ruled may not even be the right word; the Caverns are made up of so many independent groups, far-flung, some unimaginably deep, some shallow enough to hear the city construction through the rock walls. There is law, though, and justice, and it all takes place on Market Day.

The Market is held in central caverns, every few weeks. There, travelers from all around bring in all of the goods they have to trade. Hunters from below drag up alligator corpses and sell the meat. Black-market traders from above sell what they've managed to smuggle down. Some of the small communities make tools, or weave clothes. Magic-wielders will sell their services. The Council sits in judgment over all major crimes on Market Day, which generally involves thievery and murder, and justice is public and focused on order and restitution.

The people who live below are strong and rugged. Some are refugees from above; some have lived their entire lives in the dark. These days, they don't think much about rebelling against the city above. But, every once in a while, a demagogue comes along, and speaks to the Cavern-dwellers' need for freedom, and their yearning for sunlight.

[ NOTES:

- Feel free to toy with these concepts and modify them in minor ways to suit your characters. This is free and open for play, and not everything has to completely line up with everything else. Details are up to you!

- Try to clearly note your character and canon, and the role your character plays within this world: whether they believe themselves to be a part of it, or come in as an intruder, could be important to those who might tag you.

- With this post, the dressing room is open and free for play. ]
The Soulmate Fuckup Meme


There's a name on your wrist. Maybe you were born with it; maybe it arrived around the time you reached adolescence. It's spelled out, in clear script - the script you learned to read first, your native language. It's the name of your soulmate.

What would a world like this be like?

Fucked-up, that's what.

(Based on this tumblr post.)

PROMPTS:
Choose just one, choose a couple, mix and match. Do what u want.

RELATIONSHIP
1: ORIENTATION CONFUSION. The name on your arm is the wrong gender. Maybe you thought you were straight, but the name is the same gender as yours. Maybe you knew you were gay, but the name is opposite-sex. Maybe you just didn't want anyone to know, and you hide your arm, pretend to be something you aren't. But there it is - the evidence glares at you every time you brush aside your sleeve. The name has to be right. Doesn't it?
2: JUST PLAYING AROUND. You're not soulmates with the person you're with. You're just playing around. Or maybe you're really in love - and no one will believe you. How do you face the complete inability of society to accept you? How do you face the inevitable, fated end of your relationship? How can anything be important, when you know it won't last?
3: ONESOMES, THREESOMES AND MORESOMES. You're soulmates with person A who's soulmates with person B who's soulmates with you. What now? - Or maybe you're meant to be in a polyamorous relationship. Or you're asexual, and the thought of that name fills you with dread.
4: ALONE. Your soulmate died. Your soulmate never showed up. Your soulmate never existed. Or your soulmate refused you.
5: FIRST TIME. You've never dated anyone else before. What would have been the point? And now you're moving in, you're getting married - why wait? You're soulmates, aren't you? What could go wrong?
6: TOGETHER. Yep. Here we are. Here you are, and here I am, and here are our names on each other's arms.
7: OTHER.

STAGE
1: INVESTIGATION. So there's this name, and you've plugged it into Google, and the only match you can find is some asshole's Facebook account. He looks like a real jerk. Or maybe you got nothing, and you hired a private investigation firm that specializes in this kind of thing. Now you have an email address, or phone number, or a home address, and what's next is to pick up the phone, write that letter, knock on that door.
2: REVEAL. A superstar's name is on the wrist of a teenager. The President's name is on the wrist of her opponent. Your name is on the wrist of someone in jail. Turns out that name on your best friend's wrist was yours - only you never knew, not until you found out who your parents were. You've just discovered your soulmate, or just revealed yourself to them. What next?
3: GETTING TOGETHER. You're in the early stages. Dating, maybe. Getting to know each other. Moving in, under the watchful eyes of other friends, happy and soulmated and eager to have their view of the world confirmed in you. But do you even really know this person? What makes you so suited, anyway?
4: TOGETHER FOREVER. Maybe you've been together thirty years, and you still have that same fucking argument about who washes the pans after you cook a steak. Maybe you sit in silence because there's nothing to say, and it's incredibly boring. Maybe you work in harmony, but you wonder: is it because you were supposed to be together all along, or just because you never had another choice?
5: TECHNICALITIES. Society won't let you get married. So what if you just change your name to the name on her wrist, and she changes her name to the name on yours… Or maybe you can't get insurance, because you're not married with a soulmate. Don't have the right to vote. Can't get promoted in your job.
6: A BROKEN SYSTEM. Soulmates might be perfect, but people aren't perfect. The world isn't perfect. And this world has screwed you over, time and time again. But - maybe you still found a way to be happy.
7: OTHER.
1) YOU ARE NOW A JEDI
1b) or a Sith I guess
1c) or someone who is pals with a Jedi or a Sith if you really have to
1d) in addition, you can be an Apprentice training at the temple, an actual Padawan of a Jedi Knight/Master, a Knight who is free of Padawan status, or a Master who has legit graduated a Padawan already
1e) or a Sith, yes, we know
1f) and you can be in the Temple or out on a mission
1g) if you are not Padawan'd by age 14 or something you are so out on your ass good luck with that

2) GO WAVE DEM LIGHTSABERS
2b) or blasters or whatever
2c) see if I care
Please direct any roleplaying feedback here! Anon is enabled, IP logging disabled.

MUSELIST

Apr. 16th, 2013 01:34 pm
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